THE  RITZ- CARLTON 
HOIELOFNEWYORR 

THE  RUZ-CARLTON  HOTEL 
IS  SITUATED  ON  MADISON 
MEN  UE  AT  FORTY-  SIXTH 
AND  FORTY-SEVENTH  STS. 
NEW  YORK  CITY 


'T  'liTil  '     ■   — : "  - 

•  -  rrrr;  - F  f 

.  ,  r.'  .  .'»-^-1=-rii  f  K-T  PO?  ,frr-     *     i  ' 


"if 


ITZ  -  CARLTON    HOTEL     ATLANTIC    CITY.  N.J. 


f  As //  /?  /r  /Af  As//s:j/ ///////'///'//  /s>  s/.j  sv/f/f  fs^ 
/////'/ -^Ar /// ■  AAfVrAj  Ay  /As  *"/rf//f'//  oA  /As 
.  '/,>//■  S&tr/Jbn  •  '//„'/,-/,//.  r ///„,,  f;/C/y. 

s/Aff  A /AAA s  sr>/jt//  Ar'/sv/ s//  /A s  ■  ^/ // // y     A.y  y/ 

Jfr//tr  Arr/er/fYw  />/ .js  /■/  sty         s/  A/s  A 


.  AA/j-A /A/f>//  Af/.j  f/Ar/f/y.)  .j//f>s/  s/fAA As 


A// //>////// /rr>//  ff/AA As  f/f/s//  sr//s/ /'/:jf//Yf j 

/  ,         ,/, ,  A       s  /;  , 


//„„ 


y/^./i*,/;,  y,„ ,/,„   . yy, .    .  . yy„ . yJ„y„/,  gUa».   . IL^ 

y/t<  y,r,//,„,  y, „</,,„  .y/,,  a,, /„,,„/  y/<<,  yy,,.y//,  „</„/.  //,,<„,  /,.,.yi„„., 

///  //yt/t  y////-,  yf,/f/fs/ . yy<  ? mw/j . yu//t/-  . y/w. y^Cr^*/ ,  . y£r/* . r y//.j 

y/7.y>>,vr.y?„.A     y£r':r„y,,,,yj/,,/,/,,j  .y£ Ayty  'C,,//,,,,,  y/,„'.y,„y 


Avery  Architectural  and  Fine  Arts  Library 
Gift  of  Seymour  B.  Durst  Old  York  Library 


Digitized  by  the  Internet  Archive 
in  2013 


http://archive.org/details/ritzcarltonhotelOOdurs 


THE  RITZ-CARLTON  HOTEL 


AA 


THE  RITZ-CARLTON 
HOTEL  OF  NEW  YORK 

AN  HOTEL  SERVES  THE  INDIVIDUAL 
FIRST,  THE  COMMUNITY  NEXT.  IT  IS 
AN  INTEGRAL  FACTOR  IN  THE  LIVES  OF 
BOTH.  ITS  CORNER-STONE  IS  SERVICE. 
ONE  FINDS  THE  KEY-NOTE  OF  A  COMMU- 
NITY  IN  ITS  HOTELS.  GOOD  TASTE  IS  A 
MATTER  OF  ENVIRONMENT.  THE  TASTE 
OF  THE  RITZ-CARLTON  IS  THAT  OF  ITS 
PATRONS.  IT  GIVES  ONLY  THE  BEST  BE- 
CAUSE  THE  BEST  IS  REQUIRED  OF  IT.  IT 
IS  CENTRALLY  LOCATED  AND  IS  READILY 
ACCESSIBLE  TO  ALL  THAT  IS  DESIRABLE. 
THE  RITZ-CARLTON  IS  SATISFYING  BOTH 
FROM  THE  MORE  SUBTLE  ARTISTIC  AND 
FROM  THE  DISTINCTLY  UTILITARIAN 
POINTS  OF  VIEW.  IN  ITS  ARCHITECTURE 
IT  IS  SIMPLE  AND  DIGNIFIED:  IN  ITS  DEC- 
ORATION IT  IS  SPLENDID  WITHOUT 
BEING  OPPRESSIVE,  AND  IN  ITS  EQUIP. 
MENT  IT  IS  COMFORTABLE  WITHOUT 
BEING  OSTENTATIOUS.  IT  NEITHER  IN- 
TRUDES ITSELF  UPON  ITS  GUESTS  NOR 
DOES  IT  INVITE  INTRUSION.  IT  HAS 
THE  ATMOSPHERE  OF  A  VERY 
PERFECT  HOME,  WITH 
SOMETHING 
ADDED 


THE  RITZ'CARLTON  IN  NEW 
YORK  CITY  IS  BUT  ONE  LINK 
IN  THE  GREAT  CHAIN  OF  THE 
RITZ  HOTELS  THROUGHOUT 
EUROPE  AND  AMERICA 


HE  COMFORTS 
OF  A  COUNTRY 
HOUSE  WITH 
THE  CONVEN- 
IENCE OF  A  E52S 
RESIDENCE  IN 
TOWN  THESE  TOGETHER 
MAKE  A  PERFECT  HOTEL 


ITS  ARCHITECTURAL  EMI- 
NENCE DUE  TO  FITNESS 
AND  SIMPLICITY 

THE  RITZ-CARLTON  IS  AN  EXCELLENT 
EXAMPLE  OF  THE  BEST  IN  HOTEL  ARCHITECTURE.  THE  MOST  SUBTLE 
ARTISTRY  HAS  ACHIEVED  A  TRIUMPH  IN  TWO  OF  THE  MOST  ESSENTIAL 
QUALITIES— FITNESS  AND  SIMPLICITY.  THE  HOTEL,  WITH  ITS  THREE 
SIMPLE  FACADES,  IS  PREEMINENTLY  EXPRESSIVE  OF  ITSELF,  AND  OF 
ITS  PLACE  IN  THE  COMMUNITY.  THE  MAIN  ENTRANCE  ON  MADISON 
AVENUE  LEADS  INTO  A  CHARMINGLY  LIGHT  AND  HOSPITABLE  FOYER 
WHICH,  ON  THE  LEFT,  RUNS  THROUGH  TO  ANOTHER  ENTRANCE  ON 
FORTY-SLXTH  STREET,  NEAR  WHICH  ARE  THE  TELEPHONES  AND  THE 
FLOWER  SHOP,  AND  ON  THE  RIGHT  INTO  THE  EXECUTIVE  ROOMS  OF 
THE  HOTEL.  THIS  FOYER  HAS  BEEN  MADE  PURPOSELY  SMALL  IN 
ORDER  TO  BRING  ABOUT  A  CLOSER  AND  MORE  INTIMATE  RELATION- 
SHIP BETWEEN  THE  HOTEL  AND  ITS  GUESTS,  AND  ALSO  TO  OBVIATE 
THE  CONGESTION  OF  CASUAL  PASSERS-BY  WHICH  A  LARGE  FOYER  SO 
OFTEN  ENTAILS.  FROM  THE  FOYER,  ON  THE  FORTY-SLXTH  STREET  SIDE, 
ONE  PASSES  DIRECTLY  INTO  THE  PALM  ROOM.  HERE  A  CEILING  OF 
GLASS  SET  IN  ORNAMENTAL  BRONZE  WORK  SPREADS  A  SOFT  AND  REST- 
FUL LIGHT  ALL  AROUND.  THE  ROOM  IS  COLORED  IN  LIGHT  PALE 
GREEN  AND  CREAM,  AND  ALONG  THE  SIDE  HIGH  LATTICES  AFFORD  A 
PLACE  FOR  LONG  BOXES  BRIGHT  WITH  FLOWERS.  AT  ONE  END  OF  THE 
ROOM  IS  A  BROAD  FLIGHT  OF  STEPS  LEADING  TO  A  SMALL  ORCHES- 
TRA GALLERY,  MASKED  IN  EXOTIC  PALMS 
AND  FLOWERS,  WHICH  PROVIDES  EXCEL- 
LENT  MUSIC  FOR  TWO  ROOMS  AT  ONE 
TIME,  THIS  GALLERY  BEING  IN  REALITY  A 
KIND  OF  NEUTRAL  GROUND  BETWEEN 
THE  DINING  ROOM  AND  THE  PALM  ROOM. 


mm 


THE  PALM  COURT  REFLECTS 
AN  ATMOSPHERE  OF  CONTENT- 
MENT, WHERE  ONE  MAY  THOR- 
OUGHLY  ENJOY  COMPLETE 
RELAXATION  AND  REPOSE 


THE  MAIN  DINING  ROOM,  THE 
PALL  MALL  ROOM,  THE  GRILL 
ROOM  AND  THE  BUFFET 


THE  MAIN  DINING  ROOM  IS  BEAUTIFULLY 


OVAL  SHAPED,  AND  THE  SOFT  CURVES  AND  COLORS  ARE  WELL  CALCU- 
LATED TO  INDUCE  A  PERVADING  SENSE  OF  WELL-BEING.  THE  CEILING 
IS  OF  CREAM  COLOR  DECORATED  WITH  MEDALLIONS  HAVING  A  BLUE 
BACKGROUND  AND  JOINED  TOGETHER  WITH  WREATHS  OF  UNIQUE 
DESIGN.  THE  WHOLE  NOTE  OF  THE  ROOM,  AS  INDEED  OF  THE  ENTIRE 
HOTEL,  IS  ONE  OF  RESTRAINT  AND  YET  OF  BEAUTY.  IT  IS  IN  THIS 
ROOM  THAT  ONE  OBSERVES  FIRST  THE  SCHEME  OF  DECORATION  WHICH 
DOMINATES  THE  WHOLE  STRUCTURE,  NAMELY  THE  ADAM  STYLE,  A 
TYPE  PECULIARLY  WELL  ADAPTED  TO  SUCH  USAGE  IN  THAT  IT  IS 
FORMAL  WITHOUT  BEING  IN  THE  LEAST  STIFF,  AND  CHARMING  WITH- 
OUT BEING  OBTRUSIVE.  IN  THE  DINING  ROOM,  AS  IN  MANY  OTHERS, 
GLASS  HAS  BEEN  USED  VERY  EFFECTIVELY  TO  SECURE  A  DECORATIVE 
VALUE.  FROM  THE  UPPER  VERANDAH  OF  THE  JAPANESE  GARDEN, 
THROUGH  A  SMALL  PASSAGE,  ONE  ENTERS  THE  PALL  MALL  ROOM 
DECORATED  IN  ROSE,  CREAM  AND  GOLD,  WITH  ITS  CHINTZ-COVERED 
LANTERNS  SWUNG  FROM  THE  CEILING.  THE  GRILL  ROOM  IS  ON  THE 
FLOOR  BELOW  AND  IS  REACHED  BY  A  STAIRCASE  FROM  THE  FOYER. 
THIS  ROOM  IS  CARPETED  IN  DULL  RED,  AND  DERIVES  ITS  LIGHTING 
FROM  AN  INDIRECT  ILLUMINATION  EMANATING  FROM  THE  PILLARS 
WHICH  ARE  IN  THEMSELVES  A  PART  OF  THE  DECORATIVE  SCHEME. 


THE  MAIN  DINING  ROOM, 
WITH  ITS  GRACEFUL  PILLARS 
AND  SOFT  DRAPERIES,  IS  DIG- 
NIFIED IN  THE  RESTRAINT  AND 
BEAUTY  OF  ITS  DESIGN 


THE  JAPANESE  TEA  GARDEN 

FROM  THE  RIGHT  SIDE  OF  THE  DINING  ROOM  THE  GUEST  PASSES  INTO 
THE  JAPANESE  GARDEN  FOR  LUNCHEON  OR  TEA.  THE  GARDEN  IS 
LAID  OUT  IN  THE  FORM  OF  THE  LETTER  A,  THE  TWO  LEGS  AND  THE 
TOP  FORMING  LONG  LOGGIAS  SET  WITH  SMALL  TABLES,  AND  CON- 
NECTED BY  A  CENTRAL  PASSAGE.  BETWEEN  THE  LOGGIAS  IS  THE 
GARDEN  ITSELF,  AT  ONE  END  OF  WHICH  IS  A  GREAT  PAGODA,  AND 
SEATED  IN  FRONT  OF  IT  IS  BUDDHA  SMILING  SERENELY.  THE  LOGGIAS 
ARE  LATTICED  IN  BAMBOO  WITH  BAMBOO  SCREENS  SHADING  THE 
TABLES,  AND  IN  EVERY  POSSIBLE  MANNER  PROPER  NATIVE  COLORS 
AND  TONES  ARE  ADHERED  TO.  THROUGH  THE  CENTER  OF  THE  GARDEN 
A  LITTLE  STREAM  GUSHES  FROM  THE  MOUTH  OF  A  GROTESQUE  MASK 
ON  THE  BASE  OF  THE  PEDESTAL  UPON  WHICH  BUDDHA  IS  SEATED, 
AND  THE  BANKS  OF  THE  STREAM  ARE  THICK  WITH  TINY  JAPANESE 
VILLAGES,  QUITE  PERFECT  IN  EVERY  DETAIL.  THERE  ARE  DWARF  PINES 
AND  FIRS  INTERSPERSED  WITH  LAUREL  AND  LILAC.  ON  ONE  OF  THE 
BANKS  THERE  IS  A  PICTURESQUE  PAVILION  WHICH  IS  REACHED  BY  A 
TYPICAL  LITTLE  BRIDGE  FROM  THE  FARTHER  SIDE  OF  THE  STREAM.  THE 
LOGGIAS,  OR  VERANDAHS,  ARE  ILLUMINATED  WITH  JAPANESE  LAN- 
TERNS  IN  THE  EVENING,  AND  AT  THE  FARTHER  END  OF  THE  GARDEN 
THREE  GREAT  LIGHTS  LEND  A  SOFTENING  EFFECT  TO  THE  WHOLE  SCENE, 
LEADING  UP  TO  THE  TERRACED  LIGHTS  OF  THE  PAGODA  AT  THE 
OTHER  END.  A  LITTLE  WAY  DOWN  THE  STREAM  A  GREAT  STONE  GOD 
SOLILOQUISES  OVER  THIS  MINIATURE  PARADISE  OF  ORIENTAL  BEAUTY. 


THE  GRAND  BALL-ROOM 
THE  CRYSTAL  SUPPER  ROOM 
AND    PRIVATE  BALL-ROOMS 
LOUNGE  AND  SMOKING  ROOM 


LOOKING  THROUGH  THE  DINING  ROOM 


FROM  THE  PALM  ROOM  ONE  SEES  THE  GREAT  STAIRCASE  LEADING  TO 
THE  GRAND  BALL-ROOM  ABOVE.  FROM  THE  LOWER  FLOOR  THE  STAIR 
ASCENDS  IN  BROAD  AND  EASY  RISES  TO  A  LANDING  LEVEL  WITH  THE 
DINING  ROOM,  FROM  WHENCE  IT  SWINGS  GRACEFULLY  TO  RIGHT  AND 
LEFT  UP  TO  THE  BALL-ROOM  FLOOR,  IN  A  DIGNIFIED  AND  EXPRESSIVE 
SWEEP,  AND  WITH  A  DELICACY  TRULY  JOYOUS  IN  EFFECT.  THE  BALL- 
ROOM, ITSELF,  IS  LOFTY  WITH  A  DOMED  CEILING,  WALLS  OF  IVORY  WHITE 
AND  HANGINGS  OF  GOLDEN  YELLOW.  IN  THE  CENTER  IS  A  GREAT  CRYS- 
TAL CHANDELIER,  AND  MASKED  LIGHTS  AT  THE  SIDES  CAST  A  SOFT  GLOW 
OVER  ALL.  AT  ONE  END  IS  A  STAGE  WHICH  CAN  BE  USED  EITHER  FOR 
THEATRICALS,  CONCERTS,  OR  FOR  AN  ORCHESTRA  FOR  DANCING,  AND  AT 
THE  OTHER  END  OF  THE  ROOM  IS  A  HANGING  BALCONY  FROM  WHICH 
ONE  MAY  VIEW  THE  GAY  THRONG  BELOW.  HERE  AGAIN  GREAT  MIR- 
RORS  ARE  USED  DECORATIVELY,  AND  AGAIN  THEY  ARE  USED  TO  GREAT 
ADVANTAGE.  THE  FLOOR  IS  SPECIALLY  CONSTRUCTED,  AND  IS  ONE  OF 
THE  MOST  PERFECT  OF  ITS  KIND.  TURNING  FROM  THE  GRAND  BALL- 
ROOM AND  DESCENDING  THE  STAIRWAY  TO  THE  LOWER  FLOOR  THE 
CRYSTAL  ROOM  IS  ENTERED  FROM  THE  SIDE.  THE  ROOM  IS  DRAPED  IN 
HEAVY  HANGINGS  AND  OVERHEAD  IS  A  GREAT  CANOPY  DRAWN  UP 
IN  TENTED  FORM,  WITH  GREAT  TASSELS  OF  GLASS  HANGING  FROM  ITS 
FOLDS,  EACH  CONCEALING  WITHIN  ITS  CENTER  A  LIGHT  WHICH 
HEIGHTENS  THE  DECORATIVE  EFFECT  OF  THE  WHOLE.  FROM  THE  BALL- 
ROOM  OPEN  OTHER  SMALL  ROOMS  WHICH  MAY  BE  USED  EITHER  FOR 
CARDS  OR  FOR  REST  AND  GOSSIP.  FROM  THE  BALCONY  IS  REACHED 
A  COMFORTABLE  SMOKING  ROOM  HANDSOMELY  PANELED  IN  OAK. 


THE  ROOF  GARDEN 

AN  ADVANTAGE  IN  FAVOR  OF  THIS  UNIQUE  ROOF  GARDEN  IS  THAT 
IT  IS  NOT  ON  THE  ROOF  OF  THE  MAIN  HOTEL,  BUT  IS  SITUATED 
ON  THE  THIRD  FLOOR  FROM  THE  STREET  ABOVE  THE  FORTY- SIXTH 
STREET  ADDITION,  JUST  FAR  ENOUGH  FROM  THE  STREET  TO  AVOID 
HEARING  THE  DISTRACTING  NOISE  AND  BUSTLE  OF  THE  CITY,  LEAV- 
ING YOU  IN  THIS  SMALL  REALM  OF  ENCHANTMENT,  AMID  SUMMER 
BREEZES,  AND  OFFERING  A  PLACE  OF  REST  AND  RELAXATION.  HERE 
MAY  BE  ENJOYED  A  VARIETY  OF  PALATABLE  DISHES  COOKED  TO  PLEASE 
THE  MOST  FASTIDIOUS  TASTE,  AND  SERVED  ON  TABLES  HIDDEN 
AMONG  THE  FLOWERS.  THIS  IS  AS  ENTICING  AS  A  SUMMER  AFTER- 
NOON AT  NICE.  THE  TENTED  EFFECT  OF  THE  CRYSTAL  ROOM  IS 
REPEATED  HERE,  EXCEPT  THAT,  IN  PLACE  OF  THE  DARKER  HUES  USED 
BELOW,  THE  CANOPY  IS  IN  BROAD  STRIPES  OF  GREEN  AND  WHITE. 
REMINDING  ONE  OF  A  TENNIS  OR  CRICKET  PAVILION  ON  A  LAWN. 
ROSE-COLORED  BASKETS  OF  FLOWERS  HANG  FROM  THE  CANOPY,  AND 
GENTLY  SWING  TO  AND  FRO  IN  THE  COOL,  STIRRING  AIR.  IT  IS  A 
CHARMING  PLACE  IN  WHICH  TO  REST  AND  TO  HEAR  MUSIC  AMID 
SURROUNDINGS  ENHANCED  BY  DELICATELY  SHADED  LIGHTS  AND 
SOFTLY  TINTED  SHADOWS.  AFTER  DINNER  THE  FLOOR  IS  CLEARED 
FOR  DANCING  AND  FREQUENT  NUMBERS  ARE  PLAYED  BY  A  FULLY 
EQUIPPED  ORCHESTRA.  THIS  FLOOR  HAS  BEEN  SO  CONSTRCUTED 
THAT  FEW  COMPARE  WITH  ITS  PECULIAR  RESILIENCY.  HERE,  APPAR- 
ENTLY SUSPENDED  BETWEEN  SKY  AND  EARTH,  ONE  HAS  THE  IMPRES- 
SION OF  BEING  IN  A  LAND  OF  MAKE-BELIEVE.  TO  SAY  THE  ROOF 
GARDEN  OFFERS  A  RESTFUL  AND  PLEASING  RETREAT  SOUNDS  INADE- 
QUATE, BUT  TO  PLACE  ONESELF  AMID  ITS  BEAUTY,  WITH  ITS  CAPTI- 
VATING DECORATIVE  ARRANGEMENT,  AFFORDS  ONE  THAT  FEELING 
OF  SATISFACTION  FOUND  ONLY  IN  THE  GARDENS  OF  THE  OLD  WORLD. 


TTENTION  TO  THE  UTMOST  DETAIL  IS 
MANIFEST  FROM  THE  KITCHEN  TO  THE 
STATE  SUITE  ON  THE  TOPMOST  FLOOR. 
EVERY  ROOM,  WHETHER  GUEST,  CLUB  OR 
DINING  ROOM,  IS  AS  COMFORTABLE  AND 
INVITING  AS  FORETHOUGHT  AND  INGENU- 
ITY CAN  MAKE  IT.  AN  EFFORT  HAS  BEEN 
MADE  TO  ANTICIPATE  EVERY  POSSIBLE 
WISH  THAT  A  GUEST  COULD  HAVE,  THAT 
NO  ONE  COULD  EVER  SAY  AS  DID  A  KING 
ONCE  LONG  AGO  "I  HAVE  NEARLY  BEEN 
KEPT  WAITING."  THE  MANY  PRIVATE  DIN- 
ING  ROOMS  OF  VARYING  SIZES  ARE  AS  AT- 
TRACTIVE AND  AS  COMPLETE  AS  THE  MOST 
CAPTIOUS  HOST  COULD  WISH.  THE  CLUB- 
ROOMS,  AND  THE  SEVERAL  PUBLIC  ROOMS 
FOR  LADIES  AND  GENTLEMEN,  ARE  FIN- 
ISHED IN  THEMSELVES  AND  IN  THEIR  MANY  ACCESSORIES.  NOTHING 
HAS  BEEN  LEFT  TO  CHANCE.  THE  FUNDAMENTAL  IDEA  UPON  WHICH 
THE  RITZ-CARLTON  IS  MANAGED  HAS  BEEN  EXPRESSED  BY  THE  MAN- 
AGER, MR.  ALBERT  KELLER,  IN  A  VERY  FEW  WORDS:  "THE  BEST  COOK- 
ING WE  CAN  POSSIBLY  GET,  THE  BEST  SERVICE  WE  CAN  POSSIBLY 
OBTAIN,  AND  THE  POSITIVE  RULE  THAT  GUESTS  MUST  HAVE  PER- 
SONAL ATTENTION  ALWAYS."  AND  IT  IS  WORTHY  OF  NOTE  THAT  THE 
RITZ-CARLTON,  WITH  THE  THOUGHT  OF  PERFECT  SERVICE  ALWAYS 
IN  MIND,  NOT  ONLY  CHOOSES  ITS  EMPLOYEES  WITH  THE  UTMOST 
CARE  AND  DISCRIMINATION,  BUT  KEEPS  THEM  AFTERWARDS.  THEY 
MAY  BE  TRANSFERRED  TO  ANOTHER  HOTEL  IN  THE  GREAT  CHAIN, 
BUT  THEY  ARE  NOT  LOST  SIGHT  OF,  FROM  THE  GREATEST  TO  THE 
LEAST.  THEY  ARE  TAUGHT  HOW  TO  SERVE.  THERE  ARE  NO  BEGIN- 
NERS;  THEY  ARE  ALL  TRAINED  TO  BE  EXPERT  IN  THEIR  VARIOUS 
TASKS,  AND  THEY  ARE  EXPECTED  TO  KEEP  UP  THE  STANDARD  SO 
FIRMLY  MAINTAINED.  IN  GENERAL  CONSTRUCTION,  AND  IN  SPECIFIC 
DETAIL,  IN  DECORATION,  AND  IN  APPURTENANCES,  THE  ONE  GUIDING 
THOUGHT  OF  THE  DESIGNER,  BUILDER,  AND  MANAGER  OF  THE  RITZ- 
CARLTON  HOTEL  HAS  BEEN  TO  SERVE  THE  COMFORT  OF  ITS  GUESTS. 


THIS  BROCHURE 
WAS  PLANNED,  THE 
PLATES  AND  DE- 
SIGNS DRAWN  AND 
ENGRAVED  ON 
WOOD  BLOCKS  AND 
PRINTED  DIRECTLY 
FROM  THE  WOOD 
ENGRAVINGS  BY 
GILBERT  T.  WASH- 
BURN  &  CO.,  THE 
IRVING  PRESS,  NEW 
YORK,  U.S.A.,  IN  THE 
YEAR  NINETEEN 
HUNDRED  AND 
NINETEEN 


AVCf* 
CMSSCJ 


